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Hydro dipping on bisque is easier than it looks, and this first try turned out way better than I expected it to!
For this project, I used a hydro dipping set from Scott Jones Art, which came with clear plastic hydro dipping film and hydro dipping ink. Instead of freehanding a design, I used an EZScreen stencil to screen print my pattern directly onto the film before dipping a bisque-fired goblet.
Here’s how I did it!
Bisque-fired ceramic piece
Squeegee (You can get these from us individually, or as part of our stencil making kit)
Spoon or palette knife
Board or flat work surface
Tacky spray
Container of cool water
Hose or sink sprayer with a mist setting
Dish soap for cleanup
I started by cutting the clear plastic hydro dipping film down into a more manageable size. You want it to be a little larger than the stencil you'll be printing with.
Once it was cut, I placed the film onto a board that I had lightly sprayed with tacky spray. This helped hold the film in place so it wouldn’t slide around while I was printing onto it.

To get my design onto the hydro dipping film, I used an EZScreen stencil.
I mixed up the hydro dipping ink, then used a spoon to load some of the ink onto my squeegee. From there, I pulled the ink across the EZScreen stencil, pushing the ink through the design and onto the clear film underneath.
Once the design was printed, I carefully peeled the stencil away and set it aside for cleaning.


Next, I took the printed hydro dipping film and laid it print side up on the surface of a container filled with cool water.
The film hydrates pretty quickly. You’ll see it start to soften, spread, and almost relax on top of the water. Once that happens, it’s ready for dipping!
For this test, I used a bisque-fired goblet.
I slowly rolled the goblet over the printed design, allowing the ink to transfer onto the ceramic surface. Rolling it slowly helps the design wrap around the form and stick a little better.
After dipping, there was some residue left from the film. I used the mist setting on my hose to gently rinse the goblet and remove the excess film residue.
Since this was my first time trying the process, I think I may have rinsed the goblet a little more than I needed to, but the design still transferred well. Next time, I’ll probably rinse a little more lightly and see how that affects the final result.

After printing, I cleaned the hydro dipping ink out of the EZScreen stencil using dish soap and water.
It’s always a good idea to clean your stencil as soon as you’re finished printing so the ink doesn’t dry into the mesh.

For a first attempt, I’m calling this hydro dipped bisque goblet a success!
The process was surprisingly simple: print the design onto the film, float it on water, roll the bisque piece through the design, and rinse away the residue. Using an EZScreen stencil made it easy to get a detailed pattern onto the hydro dipping film before transferring it to the ceramic surface.
Now I’m excited to see how it looks after glazing and firing.
Follow us on our socials to see the finished piece! @ezscreenprint

7 comments
Karen Bobsin
I this ink the type you can glaze fire in your kiln?
Merle Lambeth
Does it work on glazed pieces and if so would it need to be fired one more time?
Dallin EZ
Anita- we do! It is called “Flourishing Flowers”.
Suzanne- I don’t think so, at least not with this ink, since it is a ceramic ink that needs to be fired in a kiln.
Blackthorn- I’m not sure what the ink composition is. We got it from Scott Jones Art, and he makes it himself, so i’m sure the recipe is proprietary.
Anita Randen
Do you have the silkscreen that you used for demonstration available for purchase?
As, any floral pattern would be nice to see.
Thank you!
Suzanne Heeg
I’m wondering if I can use the film to transfer a detailed design to fabric. Any ideas?